




For more pictures, check out The McView Show at my McMultiply site (see in McLinks).
Sacha Guitry once said, "You can pretend to be serious, but you can't pretend to be witty." Oh yes, I'm the great pretender.(pilot episode: 20 January 2004)
 The past two weeks in the office have been hectic. I’m finishing off everything I can before I leave for Bohol. I’m looking forward to waking up without an alarm clock, sleeping whenever I want, and having the time to catch up on my reading. I’m sure of bringing two books; by this weekend that number may go up to four.
 The past two weeks in the office have been hectic. I’m finishing off everything I can before I leave for Bohol. I’m looking forward to waking up without an alarm clock, sleeping whenever I want, and having the time to catch up on my reading. I’m sure of bringing two books; by this weekend that number may go up to four. … then what are dialogue balloons in comics for?
 … then what are dialogue balloons in comics for? Well, you know it doesn’t matter if you’re black or white.
 Well, you know it doesn’t matter if you’re black or white.| Your Brain is 60% Female, 40% Male | 
|  Your brain is a healthy mix of male and female You are both sensitive and savvy Rational and reasonable, you tend to keep level headed But you also tend to wear your heart on your sleeve | 
 Our company had a workshop in Tara Woods, Batangas. It’s a great venue for workshops, mini-conferences, or even day-away meetings and planning sessions. It’s a three-storey farmhouse that’s been converted to a bed-and-breakfast place. Just like in Sonya’s, one doesn’t need to bring towels and toiletries because they’re already provided. They don’t heavily advertise the place; they prefer to limit guests to those the owners personally know. Good thing our president is a good friend of the owners!
 Our company had a workshop in Tara Woods, Batangas. It’s a great venue for workshops, mini-conferences, or even day-away meetings and planning sessions. It’s a three-storey farmhouse that’s been converted to a bed-and-breakfast place. Just like in Sonya’s, one doesn’t need to bring towels and toiletries because they’re already provided. They don’t heavily advertise the place; they prefer to limit guests to those the owners personally know. Good thing our president is a good friend of the owners!



 The magical mystery tour begins in earnest with the rumbling piano ending of “A Day In The Life” played backwards, followed by the opening chord of “A Hard Day’s Night” segueing into the dramatic drum solo of Ringo in “The End”—all that merely as intro to a blistering “Get Back.” That song then flows effortlessly into “Glass Onion” mashed up with snippets from other Beatles songs.
 The magical mystery tour begins in earnest with the rumbling piano ending of “A Day In The Life” played backwards, followed by the opening chord of “A Hard Day’s Night” segueing into the dramatic drum solo of Ringo in “The End”—all that merely as intro to a blistering “Get Back.” That song then flows effortlessly into “Glass Onion” mashed up with snippets from other Beatles songs. By this time, towards the end the album, the mood turns more sober, despite “A Day In The Life’s” jaunty mid-song shift, “Hey Jude’s” still-hopeful lyrics and the up-tempo reprise of “Sgt. Pepper’s Lonely Hearts Club Band.” Maybe it was in anticipation of the end to the marvelous magical musical mystery tour that the Beatles have brought us. It was more than 40 years ago today that Sgt. Peppers taught the band to play, and play they did. Even now in 2006 the four wonderful lads from Liverpool continue to “make” music that surprises and delights. Sure, other artists have broken their chart records and have pushed the envelope even further. But hearing their raw tracks reworked into something new, you can really tell that The Beatles were one of the important pioneers who broke new ground and unshackled pop music from its previous moorings. They were at the forefront of a new frontier and you can clearly hear them treading new territories. With Love they break new ground again—a legitimate mash-up album.
 By this time, towards the end the album, the mood turns more sober, despite “A Day In The Life’s” jaunty mid-song shift, “Hey Jude’s” still-hopeful lyrics and the up-tempo reprise of “Sgt. Pepper’s Lonely Hearts Club Band.” Maybe it was in anticipation of the end to the marvelous magical musical mystery tour that the Beatles have brought us. It was more than 40 years ago today that Sgt. Peppers taught the band to play, and play they did. Even now in 2006 the four wonderful lads from Liverpool continue to “make” music that surprises and delights. Sure, other artists have broken their chart records and have pushed the envelope even further. But hearing their raw tracks reworked into something new, you can really tell that The Beatles were one of the important pioneers who broke new ground and unshackled pop music from its previous moorings. They were at the forefront of a new frontier and you can clearly hear them treading new territories. With Love they break new ground again—a legitimate mash-up album.  Literally.
 Literally. One of McVie’s most anticipated releases this year, Love began as a project for Cirque du Soleil. The Beatles’ legendary producer George Martin, together with his son Giles (in picture, second and third from left), crafted music of more than an hour long for a Soleil show featuring all-Beatles songs. With a successful run of the show in Las Vegas, the release of the soundtrack wasn’t far behind. With unprecedented access to the original tapes, the Martins created an album that any Beatles fan will swoon over. It’s the ultimate legitimate mash-up—all-original Beatles music tweaked with the blessings of the surviving members plus the wives of John and George. And sans the bootleggy sound, the Beatles never sounded so fresh. As Giles said in his introduction, “All the music was so well recorded by the EMI engineers that the attitude and passion were frozen in time. Had the music not been so familiar, the tapes sounded like they’ve been recorded yesterday.” But this isn’t just about hearing Beatles songs in crystal-clear, digital crispness. Thanks to the tweaking, it’s like hearing the familiar for the first time again. Of course, only those who are fans of the familiar will experience that. Beatles novices will be forgiven if they scratch their heads and wonder, what’s the big deal? Hearing the songs anew, I’m now compelled to listen to the originals all over again.
 One of McVie’s most anticipated releases this year, Love began as a project for Cirque du Soleil. The Beatles’ legendary producer George Martin, together with his son Giles (in picture, second and third from left), crafted music of more than an hour long for a Soleil show featuring all-Beatles songs. With a successful run of the show in Las Vegas, the release of the soundtrack wasn’t far behind. With unprecedented access to the original tapes, the Martins created an album that any Beatles fan will swoon over. It’s the ultimate legitimate mash-up—all-original Beatles music tweaked with the blessings of the surviving members plus the wives of John and George. And sans the bootleggy sound, the Beatles never sounded so fresh. As Giles said in his introduction, “All the music was so well recorded by the EMI engineers that the attitude and passion were frozen in time. Had the music not been so familiar, the tapes sounded like they’ve been recorded yesterday.” But this isn’t just about hearing Beatles songs in crystal-clear, digital crispness. Thanks to the tweaking, it’s like hearing the familiar for the first time again. Of course, only those who are fans of the familiar will experience that. Beatles novices will be forgiven if they scratch their heads and wonder, what’s the big deal? Hearing the songs anew, I’m now compelled to listen to the originals all over again. The copy I bought also includes the audio-DVD version (DTS 5.1 and Dolby Digital 5.1); I’m looking forward to hear the whole album in full surround. For this particular Beatles McFan, that will truly be a magical mystery tour.
 The copy I bought also includes the audio-DVD version (DTS 5.1 and Dolby Digital 5.1); I’m looking forward to hear the whole album in full surround. For this particular Beatles McFan, that will truly be a magical mystery tour. I’m helping someone spread the word. Do you know this guy? Click on this site and be warned.
 I’m helping someone spread the word. Do you know this guy? Click on this site and be warned.
 Because I now have a new Moto—the Motorola W220. It’s the poor man’s Razor, the posh phone for the proletariat. It’s very affordable because it has no camera. I really thought things over and I decided I don’t really need a camera in my phone; I just need a phone for calls and text messages. While shopping for a phone and comparing prices and features, I kept seeing this all-black version of the W220. After a week of assessing and internal debating, I finally decided: I want the black W220.
 Because I now have a new Moto—the Motorola W220. It’s the poor man’s Razor, the posh phone for the proletariat. It’s very affordable because it has no camera. I really thought things over and I decided I don’t really need a camera in my phone; I just need a phone for calls and text messages. While shopping for a phone and comparing prices and features, I kept seeing this all-black version of the W220. After a week of assessing and internal debating, I finally decided: I want the black W220.  But when I went to shop after shop where I saw the black W220, I was told that they were either out of stock or their black model was merely a model unit and not for sale. Argh! I was this close to buying the silver version, but decided to wait until the weekend. That’s when I found an available model in a shop in Megamall. The black just looks cooler and slimmer. Now I can go to Bed and not hide my phone. Then again, because the W220’s so slim it will be easier for me to hide my phone.
 But when I went to shop after shop where I saw the black W220, I was told that they were either out of stock or their black model was merely a model unit and not for sale. Argh! I was this close to buying the silver version, but decided to wait until the weekend. That’s when I found an available model in a shop in Megamall. The black just looks cooler and slimmer. Now I can go to Bed and not hide my phone. Then again, because the W220’s so slim it will be easier for me to hide my phone. My first phone was a Motorola Microtac. After so many years I’ve come back full circle—as the motto at the beginning says. Which brings this episode—in content if not in form—in full circle.
 My first phone was a Motorola Microtac. After so many years I’ve come back full circle—as the motto at the beginning says. Which brings this episode—in content if not in form—in full circle.
 There’s this spa in QC that has a wet area that’s often full of PLUs on the prowl, but that’s not exactly why I go there. It’s this particular masseur named Mandy. First of all, he told me I could take off my shorts. Next he would glide his fingers ever so lightly along my inner thighs, reaching deeper and deeper until… bingo! His finger would oh so gently brush against my family jewels. And even when I was already sporting a raging hard-on, he didn’t mind letting his fingers stray along my pubic area. If I were in a massage parlor—you know, the Masahista kind—I would by that time be receiving some extra service, or in their parlance, “sensation.” But because this is not a “massage parlor” but a “spa” I decided not to risk it.
 There’s this spa in QC that has a wet area that’s often full of PLUs on the prowl, but that’s not exactly why I go there. It’s this particular masseur named Mandy. First of all, he told me I could take off my shorts. Next he would glide his fingers ever so lightly along my inner thighs, reaching deeper and deeper until… bingo! His finger would oh so gently brush against my family jewels. And even when I was already sporting a raging hard-on, he didn’t mind letting his fingers stray along my pubic area. If I were in a massage parlor—you know, the Masahista kind—I would by that time be receiving some extra service, or in their parlance, “sensation.” But because this is not a “massage parlor” but a “spa” I decided not to risk it. Anyway, on to Trick. It’s structured like a classic Hollywood romantic comedy—two guys meet, they are attracted to each other, but people and circumstances converge to prevent the two from really hooking up, including the oh-so-needy-but-misunderstood-best-friend, but after several mix-ups and the prerequisite big confrontation and revelation scene, the two eventually declare their feelings, and eventually end up with a passionate on-screen kiss before movie fades to black. Roll end credits. Because everything is a cliché the movie is actually a tricky act to pull off successfully. But succeed it does. I mean, can anyone really believe that a guy as cute as Chris Campbell (wow, feeling ka-close na ako sa kanya! Er, he’s the one on the right in the picture below. John Paul Pitoc is the one on the left—he’s hot too!) can’t find someone interested in him? C’mon, pull our legs some more, puh-leez! But this is a rom-com, so you go with the flow. And the movie actually flows quite smoothly over those implausible spots. It even manages to end with a character launching into a song that continues over to the end credits roll.
 Anyway, on to Trick. It’s structured like a classic Hollywood romantic comedy—two guys meet, they are attracted to each other, but people and circumstances converge to prevent the two from really hooking up, including the oh-so-needy-but-misunderstood-best-friend, but after several mix-ups and the prerequisite big confrontation and revelation scene, the two eventually declare their feelings, and eventually end up with a passionate on-screen kiss before movie fades to black. Roll end credits. Because everything is a cliché the movie is actually a tricky act to pull off successfully. But succeed it does. I mean, can anyone really believe that a guy as cute as Chris Campbell (wow, feeling ka-close na ako sa kanya! Er, he’s the one on the right in the picture below. John Paul Pitoc is the one on the left—he’s hot too!) can’t find someone interested in him? C’mon, pull our legs some more, puh-leez! But this is a rom-com, so you go with the flow. And the movie actually flows quite smoothly over those implausible spots. It even manages to end with a character launching into a song that continues over to the end credits roll. The problem with rom-coms is that they often fade out at a high and happy point. But life never stops at those high and happy moments. In fact they always are messier than what is shown onscreen. If one wants his life to end up like a Hollywood ending, then he should end his life after a particularly high point. Like maybe after finally getting the guy he’s going out with to agree to become his boyfriend, he should slash his wrists right there and then. Or after celebrating their fifth anniversary, a couple should just jump off a building. Of course in a Hollywood ending the fade out happens before the slashing or the jumping off.
 The problem with rom-coms is that they often fade out at a high and happy point. But life never stops at those high and happy moments. In fact they always are messier than what is shown onscreen. If one wants his life to end up like a Hollywood ending, then he should end his life after a particularly high point. Like maybe after finally getting the guy he’s going out with to agree to become his boyfriend, he should slash his wrists right there and then. Or after celebrating their fifth anniversary, a couple should just jump off a building. Of course in a Hollywood ending the fade out happens before the slashing or the jumping off.  So it was a good thing that after watching Trick I immediately watched Drift, a movie by Quentin Lee, an Asian-Canadian gay filmmaker. It’s about Ryan and Joel, a couple who breaks up after three years. The lead character, Ryan, is an Asian American who feels that he’s just drifting in the relationship, so he calls everything off on the eve of their anniversary. The movie then effortlessly drifts into three alternative endings: one wherein Ryan replaces Joel with a crush he met when they were still a couple; another wherein Ryan and Joel get back together again; and a third wherein Ryan ends up alone but not regretting any of his decisions. All three endings are in their own way “happy” endings, but the audience also sees the compromises and the what-ifs and the trade-offs that accompany each so-called happy ending. By the third ending, the audience gets the drift: there really are no happy endings, but endings are as happy or as sad depending on how we make them to be—and depending on where the fade out happens.
 So it was a good thing that after watching Trick I immediately watched Drift, a movie by Quentin Lee, an Asian-Canadian gay filmmaker. It’s about Ryan and Joel, a couple who breaks up after three years. The lead character, Ryan, is an Asian American who feels that he’s just drifting in the relationship, so he calls everything off on the eve of their anniversary. The movie then effortlessly drifts into three alternative endings: one wherein Ryan replaces Joel with a crush he met when they were still a couple; another wherein Ryan and Joel get back together again; and a third wherein Ryan ends up alone but not regretting any of his decisions. All three endings are in their own way “happy” endings, but the audience also sees the compromises and the what-ifs and the trade-offs that accompany each so-called happy ending. By the third ending, the audience gets the drift: there really are no happy endings, but endings are as happy or as sad depending on how we make them to be—and depending on where the fade out happens.